Saturday, November 9, 2013

Visual Language Magazine Artspan Studio Visit with Kari Tirrell


I never intended to be a professional artist.  Like many artists, I drew constantly throughout my childhood.  Although my lack of formal art education has not been a hindrance for me, had I known I’d become a professional artist someday I probably would have chosen to focus on art in school.  At that time, though, art didn’t seem to be a good career choice.  Being a “starving artist” didn’t appeal to me, and I didn’t want to teach, so drawing was more of a habit.  It was something I felt compelled to do, but had no intention of doing anything with it.

Many years later, when my kids were at an age where they were becoming independent and I started thinking about what I was going to do with my time, I decided to try painting and it completely changed my life.  I painted abstracts in acrylic and sold them on eBay.  It was great validation, super fun to find people liked my work enough to bid on it, and even more amazing to think about people in countries around the world hanging my work on their walls.

Colors by Kari Tirrell
Eventually, I switched from abstraction to realism, which also caused a switch in medium.  I was now painting in oils.  However, soon after changing to oils I stumbled upon the amazing pastel work of Alicia St. Rose.  I had no idea such detail could be achieved with soft pastels, and I knew I had to try it.  Her process looked painfully tedious, and I knew I didn’t have the patience to work like that, so I purchased various soft pastels, pastel pencils, and a variety of papers and set out to develop my own process.  It took a lot of trial and error, but I was able to figure out how to get the results I wanted.

Banana Bread by Kari Tirrell
Once I started painting realism, I realized brick and mortar galleries would be a better fit for my work than selling online.  I had no idea how to go about getting into galleries, so I created a plan: I would join art organizations, get into their shows, and build up a resume.  I decided three years would be a reasonable amount of time to give me the experience and a good enough resume where I could feel comfortable approaching galleries.

I painted specifically for exhibitions, focusing on composition and lighting to make sure I was able to enter at least one award worthy painting into each show.  I believe this focus helped improve my compositional ability as well as my painting technique.  The awards my work received were validation I was heading in the right direction.  My three year plan was successful, and although my first gallery ended up not being a great fit, it was a good learning experience in choosing the right gallery.  I currently work with several excellent galleries, and I truly value my relationships with them.

Train Wreck by Kari Tirrell
While I started my pastel career painting people and animals, over time I’ve gravitated toward painting still life, and I really enjoy it.  I like the challenge of creating an interesting composition with inanimate objects.  I like painting various surfaces (wood, glass, ceramic, etc.) and getting them to read accurately.  My compositions have grown more complex; I like paintings that invite the viewer to stay awhile, something that will keep their interest over time.  On the other hand, I also enjoy creating simple compositions, particularly when I can experiment with changing the scale of the objects.

I like to explore themes, repeatedly painting the same subject in different ways until I feel I’ve said as much as I want to say, and then I move on to something else.  I typically enjoy painting things that touch on nostalgia.  Old toys are a favorite.  Right now I’m working on compositions with candy. 

I recently started working in oils again, in addition to pastels.  My work is very time consuming, regardless of medium, but I feel so lucky to be able to do what I do.  It is definitely work; mostly challenging, and sometimes even frustrating.  But painting satisfies my soul as no other job could, and I plan on doing it as long as possible. 

Traffic Jam by Kari Tirrell
A self-taught artist, Kari Tirrell spent her formative years drawing people and animals in graphite, charcoal, and ink.  She won her first award in an art contest at age 11.  After many years of drawing, Kari changed direction and started painting abstracts in acrylic, selling her work to collectors around the globe.  After returning to realism, Kari’s work has been juried into many regional, national, and international exhibitions, and has received numerous awards.  She lives in Gig Harbor, Washington, and is a signature member of the Pastel Society of America and the Northwest Pastel Society,  and a Distinguished Pastellist with the Pastel Society of the West Coast.  Her work can be found at Meyer Gallery in Santa Fe, NM, Elliott Fouts Gallery in Sacramento, CA, American Art Company in Tacoma, WA, and Kirsten Gallery in Seattle, WA.

Saturday, November 2, 2013

Visual Language Artspan Interview with Robert Fiacco.



Visual Language Artspan Interview

When did you realize you loved art and wanted to be an artist? When I was about 11 years old my father started a small business that involved selling reproductions of famous paintings; we had dozens of these paintings hanging all over the place.  I absolutely loved these paintings and would spend hours copying them; I have been painting ever since.

Who has been your mentor, or greatest influence to date?  I don’t recall having a mentor per se; I have had outstanding teachers early on but never a consistent mentor.  Winslow Homer has been a huge influence.  I am especially impressed that he was able to transition from illustration to fine art.

Who is another living artist you admire and why?  Jasper Johns; his paintings are so unique and intellectually challenging.

What is your favorite surface to create work on or to work with? Describe it if you make it yourself.  I love texture in painting; I primarily work with canvas that is sized with heavy amounts gesso.

B-24D Pelosti Raid by Robert Fiacco

What are your favorite materials to use? I primarily use oil paint and Liquin Impasto and Olepasto mediums.  I am starting to explore encaustic.

Do you have a favorite color palette? I prefer a cooler palette but I really don’t limit myself.

How often do you work on your artwork? How many hours a week? I only average about 5-15 hours a week.

What is the one thing you would like to be remembered for?  Honesty and creativity in my artwork.

There are many culprits that can crush creativity, such as distractions, self-doubt and fear of failure. What tends to stand in the way of your creativity? Often financial concerns get in the way.  For example, I often take commissions, which are not very creative endeavors since the customer is usually very specific in what they want hence there isn’t much latitude for creativity.

Hellcat Formation by Robert Fiacco
How do you overcome these obstacles?  I try to be as frugal as possible and maximize my exposure through juried shows/art fairs.  I have been successful in selling some of my artwork, including giclee reproductions without relying too much on commissions.


What are your inspirations for your work? I love narratives or stories of amazing feats.  I prefer to illustrate dramatic events that occurred.  I will research the specific event, learning the life stories of the people involved, and the exact details of the event.  When you fully understand the people and the event; it is quite inspiring to paint it.

What is your favorite way to get your creative juices flowing?  I have two loud kids; sometimes, just having it quiet is enough.

Return to Happy Valley by Robert Fiacco
Which work of yours is your favorite?  Oriskany Rendezvous is my favorite.  I feel that the painting is dramatic and conveys a sense of foreboding associated with war.      








Getting to know you Q&A

What is your favorite color in your closet? Light blue.
What book are you reading this week? “Art and Perception”.
Do you have a favorite television show? Not really; however, I often watch English or Spanish league soccer games.
What is your favorite food? Italian.
What color sheets are on your bed right now? Tan.
What are you most proud of in your life? Taking care of my family.
Who would you love to interview? Larry Gagosian.
Do you have a passion or hobby other than painting? What is it? Soccer.
Who would you love to paint? Nicole Kidman. 
If you were an animal what would you be and why? A golden eagle; being able to fly…can’t imagine anything better than this. 
If you were stranded on a desert island and could only take three things, what would they be?  A book, sketchbook, & my guitar.  
Share something with us that few people know about you.  I believe in ghosts.
If you could live anywhere in the world, where would you live? Spain.